“He’s really famous, in an internet sort of way.”
As I’ve mention previously on this semi-narcissistic blog of mine, I do love a mumblecore film. And, as is my love for said genre, I’ve been waiting to catch the much hyped Tiny Furniture for the best part of two years. Finally Criterion have done the decent thing and given it a DVD release. I know, Criterion DVD, that’s fancy talk for arty/international/damn-fucking-good. (delete as applicable) So, the question on all of your lips, the one that you’re all desperate to ask is this; “How good is it?” The answer, I’m saddened to report, is as follows, it’s rather underwhelming. And that’s despite it being shot in Tribeca. Was there too much expectation on my part? Perhaps. But I did start off loving the opening 30 minutes. It’s witty, hipster-ish in a good way, and rather entertaining. Then it falls into the trap of becoming, what we bloggers in the underground cinemas who smoke our American spirits, drink our black coffee and never leave our house unless it’s to go to the movies call “up it’s own arse.” It’s a technical phrase. It stops being witty and, instead, starts whining about how shit everything is. Now I love a bit of whining, it’s cool with me when others do it even, but this is the cinematic equivalent of that annoying girl we all knew who moans that daddy won’t buy her a new pony. What’s wrong with the pony you already have? I had to make do with a postcard of a horse. Not that I ever wanted a pony in the first place, I just like postcards. I’ve started to digress, but, my point is this, it becomes hipster cliché 101. It’s like every
bad article you’ve read on Vice, but filmed, and with a bunch of annoying actors, minus the wonderful Jemima Kirke. Kirke really is the best thing on screen, she’s got a certain self aware charm that all the others lack. (Nothing to do with her being from London, honest….) I really couldn’t believe how much my initial enthusiasm for the film had waned by the time the closing credits arrive.
Now what I do really love about the movie is the cinematography, it’s rather elegant. It’s shot on a Canon 7D, which, as you may know, is a stills camera. And not the most expensive camera in the world either. It’s a great piece of equipment, and, with some nice lenses, you can make a fantastic looking movie that won’t break the bank. So Lena Dunham deserves praise for the film’s quality production, sadly her acting and scriptwriting skills really aren’t as good.
As I’ve said, the opening works wonderfully, but it just can’t sustain it. Dunham certainly showed some potential for future movies, but this ain’t so great…
Marks out of ten – Six